Aesthetic analysis of his films

 The director has a lot of aesthetic tendencies, there are many beautiful video to show, however, the United States Shunji Iwai has its unique style. From an aesthetic point of view, the aesthetic effect of his films is derived from the Construction and Deconstruction of the United States. like seeing a beautiful girl inside the car the moment, the car is started. It was a lingering finish Impressionist style of beauty, leaving endless reverie and unforgettable people. This finally seeing the United States has not constructed feel the flash disappeared, leaving both the people regret and melancholy, but also chew the leaves of the sweet complexity of emotion, touched people most deeply buried weak hearts.
the construction of a U.S.
(a) of the pure beauty of the film Iwai overall first impression is the , color, light, excellent grasp of. his every film, there will be quite a few classic images engraved in the minds of the audience, gives a postcard-like viewing experience. and his images are quite clean clean, not the slightest breath of worldly fireworks.
Specifically, the use of color: the director preferred black and white, such as the mailbox, the glass factory and the red taxi, vibrant and not unexpected. the beginning and end, the rolling snow in the background, the hero wearing a black coat from near to far, gradually disappeared, being produced are compared strong appeal. petals, in his shot, giving the city the bright and dark poetry. In bright color screen treatment in particular, which is often used when shooting MTV approach. decentralization of unforgettable scenes of kites.
2 people pure.
Iwai's movie characters are almost all simple and pure, like a pencil sketch, hastily sketched a few strokes, but each with character. and most of the heroes are good and unsophisticated. In most of his movies, the hero is a child and teenager. such as the performance of modern youth confused the film , the performance of two girls growing up, The girl has a special preference, the heroine of his film is not very beautiful actress, but naive high school students like simple and plain cute girl wearing a school uniform. the director several times to give them rounded cheeks, rounded arm Great features, their performance looks like the cynical eat sweets, so that children can become the carrier of his pure concept, showing the natural, healthy and beautiful yearning.
3 pure plot.
story Iwai Most of the performance of crush, campus life and strong emotion without a trace of impurities, if the circumstances are relatively simple, and very easy to understand, in the circumstances in the pursuit of pure emotion.
4 music pure.
music Iwai an important factor in the film. In often people feel their existence. This is in the adolescent boys in the carrying out of mind. He referred in particular to Debussy and the Beatles, that they are representatives of the music firmament.
obviously can bring people a better pure enjoyment, but on the other hand, In order to achieve characteristics, such as The figures have been the background of the sound, props of the.
(b) the beauty of
Iwai indifferent films gives a prominent feeling is dull, trivial pieces constitute the daily life of the whole film, resulting in a kinds of prose effects. The main features of the photography is a long shot with a combination of rapid editing.
long smooth lyrical rendering of the emotional atmosphere of the lens, together with the director often used on the slow roll of the lower lens, the people into thinking and pondering deep into the emotional, showing a simple life of the characteristics of the fresh release of emptiness in a meaningful implication of Shu and the typical oriental style.
rapid post-editing is a certain modern feel, mixed in with smooth lyrical shots of the film to highlight the arbitrariness. Lacan that disappeared completely ideographic chain collapse, leaving behind a string of l will refer to r can refer to series. then is the main characteristic of modern film digestion, dilute meaning of the text, the picture collage of images of the fragments into a ball group. in the search for a meaningful sense of uncertainty, to express a particular mood effects. Rock Well not to plot to win but to search for specific emotions and moods. the real and unreal, past and present blend together to form rich in poetic images. in some places there is a general effect of essays, the details of ordinary life, inadvertently, the scene is It is smile. like the .
But this ideal of indifferent and tendency mentioned below Iwai's film is often stay on the surface, inevitably tend to be shallow, which is the master of his delay in the ranks among the important reasons.
(c) of fragile Beauty
from the United States arising out of the above two, we also find the movie hidden Perfect fixed on a metaphysical position, to achieve the perfect concept. Its the perfect thing is to maintain the distance of this virtual beauty. Specifically, the director is based on Japanese traditional culture inherited from the West, inspired by the movie collection The Inclusive.
1 extensive use of video memories, hallucinations, imagination.
in the memories of the time, people love to selective recall, those who do not abandon the good memories, just pick your favorite and makes a memorable and Enjoy, and do not consciously landscaping, so the memories more beautiful than reality itself, which has been latent and hidden so that the emotions are carefully spinning and spin-off. such as , which is a memory piece Fujii tree sways in the wind quietly reading after the white curtains, bright sun on the screen, is a very beautiful scene, but who has suddenly disappeared from the curtains, a little be looking hard, He actually was and where, it seems there is still no,.
and fantasy, and imagination that can not be achieved is the construction of the world, the film is the use of these images shown by means of imagination. such as element are; These scenes in the Living among the true fairy-tale charm show Chang, performance of the illusion or dream hazy smoke or darkness will be used to blur the picture, but mostly rock wells are very clear lens, which is from his light can be clearly seen in his bright and by using a special transparent light to create a pure mood was like a paradise, with golden light in the dust flying, the same is not true, than the general fuzzy, rock well beyond the United States was taken by the false reality, revealing the ideal and hope of the color, Fuzao traces of heavier. , a symbol of the way the director
like to use the symbol of this symbol is often shown by an absolute formal, he formatted the world, symbolic of his world, he is the only thing of concern, while more effectively deal with such easier to explain the problem, on the other hand slightly monotonous shallow.
implies that the inner world of the desert people. materialized. Shunji Iwai people to dream in this state of love with the one step further to see where it reveals the face of modern society, the ideal moment Lost inside the helpless, vulnerable and threatening fear. ; dollars are before, do not give us any chance of escape. Lily Chou's all br> 3 in the attitude of love, the love of the film itself with a the United States, it is United States, the value of the United States in the United States itself, rather than to achieve its some kind of utilitarian. If you love have been achieved, of a substance to the affirmation of life, and that it will be material and all positive things, to have a certain material limit, to move towards aging, to burst, it will lose the meaning of the United States. only, and nothing linked to the United States, is the eternal soul of a Macross, the perception of the mind, it is always the newly sprung flowers young lives .
in the classic Lost smile, and lost the reason could be changed into a smile, because the hero in the Directed by coaxing Bana as beautiful as blooming in the distance, giving the dim, false characteristics. Thus, Shunji Iwai is a very modern although the new breed of director, his aesthetic is still the source of the traditional Japanese style, pay attention to delicate, pure, artificial.
two beautiful deconstruction
love his films, hopes are illusory, deliberately created by the United States, which the United States while maintaining its durability and finish, the other hand, is fragile, bear touch. so we can see that he is actually the perfect imperfect, it is not fully developed, no future, no end of the United States, with a strong idealism. And Building on the illusory ideal of course, ethereal fragile.
So, in order to keep the beauty of this mirage, the director can only be deconstructed by the way the United States.
(a) the memories of the way there dream or fantasy , so that self-deconstruction of the United States.
such as time distance. let this emotion in the form of memory, can not itself a distant sense of touch. On the other hand, the film begins with the funeral of the tree Fujii, made him both in reality or in the memories have become nothing, achievements of the people have no time to nothingness with a tragic beauty. As appreciated by the Japanese cherry blossoms, the most brilliant in the open when the fade.
such as over, in which a mixture of dim love, the initial impulse and the child's imagination, more than that was an atmosphere of indescribable sadness. children are finally in the end do not know what kind of fireworks, the United States, their search seems to become void and vain, we have seen in their pursuit of a scene to the United States. video always on the idealized beauty and never reach the goal, to let people gone either recall the past, either the United States and not to pursue. extremely empty at any time of the passage of the United States at the touch of sadness and mourning.
absolutely ideal to make his films sometimes lack the courage to face life and reflect the reality of the efforts no lack of bright colors: and the power of hope. Iwai also said: Alice and dark to bright colors, this should be counted as a self-directed development.
(b) factors of disharmony to the United States into the concentrated expression of the Chinese Opera
characteristics. Iwai said in front of the conception of the pursuit and emotional expression, and this expression is limited, in which the director deliberately avoided obvious feature is smooth and emotional intoxication.
director of the realism of life using of the photography, but avoid the use of depth of field, lyrical use of long lens, but only to render emotions. Most of his shots are not long, even to describe the use of fragmented, fragmentary scenes from the film and lens mosaic. This species continue to transform the lens, not as easy as smooth Hollywood films, but arbitrary strong splice. often have a smooth movement between a few seconds were cut off, and then continue. camera language with a sense of rhythm: He used to cross the two contrasting scenes clips.
such as the Alice's ballet performances cut together; is very difficult being immersed in the incident, showing alienation effect. In addition the use of jump-axis is quite arbitrary frequent, axis, showing harmony and smooth picture effects. characters in the film immersed in memories, meditation and other personal emotion, they generally will be interrupted, the performance of ultra-realistic way the rescue of her father recalled the situation, but someone immediately came to Fujii tree back to reality. director also good with the use of mobile cameras to shoot this scene more powerful shaking, the audience is difficult to integrate into the mood atmosphere. film is not hypocritical to pursue the emotional effect of the sensational or kitsch, but primitive, sincere, slightly sad emotions, such feelings do not immersive, but recall with a touch of color is a subtle, go beyond the emotion, this feeling is the need to create the atmosphere and the distance between the sense of alienation effect.
his films is less than an hour of short, because the plot is trivial, does not have a strong narrative portrait, highlighting the emotional effect of a vertical. this point, Shunji Iwai absorbed from the 50's experimental film expression. American Society for Testing Film Directed by Mei Ya? Durham personalized movie first proposed the mean r, root out the connotation of the transcendental movement. His mood is not for self-catharsis, but the experience has been to arouse the audience.
However, we can not because the film Iwai experience of life and to deny his personal factors, on the contrary, his films are personal of very strong colors (the color of the screen that the film is evident in other aspects of music here is not to say). Here we can see Iwai moving between the mainstream and the edge of the characteristics that he well received by both audiences and the praise of professionals.
(c) of the Chrysanthemum and the Sword mm cruelty and pure symphony
Shunji Iwai can always strong in the graceful lyricism and strangely comfortable transition between the two styles.
Yukio Mishima in . people dumping on the leaves, cherry blossoms, the traditional image of the United States to absorb a direct physical terror. So, today's literary and artistic works to the blood and death itself in the image of the concept of beauty is natural. Iwai was an unrestrained style of the director, but his films are always filled with death, violence, blood and other cruel or factors in order to deconstruct the same time this cruel beautiful building. the United States as Junior empty-ness. This is the story of the turning point, Hoshino became tyrannical in travel after the brutal, the film ultimately reverberate in juvenile death and the end of the horizon of the sky and music. bloody plot the sounds of nature accompanied by gentle music; poetic The brilliant screen performance of a scene is unbearable, but in any case, but this brutal and beautiful blend of harmony.
broad daylight, the child's eyes still blinking innocence, in contrast to the two styles, the emergence of life and hope for praise. We saw the eyes of innocent children fall and cruelty, the fierce collision of beauty and ugliness, death and beauty, vitality and decadence, corruption, health and circulation of these opposite things intertwined, and completed both the pure and gorgeous alternative beauty. the performance of the balance of the United States and continue to break the balance, to construct a beautiful and then tried to subvert.
Cruelty and the U.S. will take a strange, irrational moves shown, suspense movie, the performance of the sick. its ethnic roots is twofold: the national character of Japan's restrained and subtle requirements of repressed emotions, repressed emotions have no place when release, and violence is bound to die the way the extreme expression. such as in all things around them. and the or aesthetic, or subversion. as it is a traditional Japanese aesthetics and the product blend of modern society.
three of his films feature
1 post-modern aesthetic, personal: the loneliness and depression
asked what contributed to its video-style unique, the Shunji Iwai replied: I just added a lot in the film very personal thing modernizer always destroy things others have been constructed , Shunji Iwai emptiness of modern urban human mental state of anxiety has a keen perception ability, in his film was revealed the enormous pressure of space is located, and the lack of such a void under the pressure of people's spiritual world. Existentialism is also repeatedly stressed that modern society gives rise to a sense of loneliness and emptiness, people have lost their spiritual home, and all have become rootless duckweed.
out as isolated islands. This suggests a closed space isolated from the hearts of people. post-industrial era, along with the machinery of civilization and science and rational thought highly developed is the indifference of people to communicate feelings, alienation between people, even if this is a couple, but also farther away. compulsive disorder tightly tied to the heart of this distance but a sense of fear and the desire to share the externalization in order to sense. This represents a common attitude: modern people in the pursuit of freedom, while also secretly desire a sense of being bound, the pursuit of freedom is becoming more and more out of the rules of social civilization and the human instinct to suppress the resistance of the system, The desire to be tied is the relationship more and more people face the practical and the lack of real community feel the warmth of the helpless, the limited nature of the individual and the world the infinite phase-on collision gives rise to a strong sense of security needs. This can be a dilemma of modern man. Shunji Iwai just over forty minutes with a short film tells the people to the city in the kind of empty feeling of powerlessness, inability, almost tragic.
and things around, I thought I had years of disease can not be recovered if hh think Tokyo is a large hospital in Tokyo for such hh asphyxiation hh morbid major ghettos. People have lost their humanity and ideals, a busy day to run around for money, Iwai sharply pointed out the crazy pursuit of material desires the human soul corrosion.
Shunji Iwai recorded with a video camera, a real social face. He clearly saw the consumer in the era of material prosperity, debauchery in the city, people are alienated and difficult to fill the sad state of the spirit of the black hole.
Heidegger emphasizes the anxiety and trouble cuddle, he considered that Since the birth of people in a the children's spirit and state of mind is missing, the emptiness and despair of their ease and not have any regulatory role. in Unbridledly with. Alice dancing in the rain, as if the whole world as their stage of mood.
attention-sensitive film to express inner feelings and personal experience, emotional, personal, first open the mind to be covered. Hyderabad Siegel said: Such a situation should be modern: the context of the modern form of self-representation, so that things can not be achieved out of the performance. hh it tends to seek a new performance, the aim is not to enjoy them, but added not to convey a strong sense of performance. Hiroko cry to the empty snow-capped mountains, playing cards on the beach when the wind falling, we clearly see that kind of beauty. As appreciated by the Japanese cherry blossoms, dream-like beauty, in the United States to the extreme when the litter, to see to a brilliant life to perish, poignant and full of suffering and the tragic.
film of the characters are very emotional, are controlled by some kind of emotion, in a state of precarious and difficult to change through the efforts of this situation, even if it is calm state, this state is quite unstable, and can say that they are in a tense US-China, in a collapse of the world at any time. They can let their emotions and destiny in the wind the kite, the general wanton train derailment the line, watching their doom, they lack the stability of faith and spiritual support and any dependent, as if the boat drifting in the ocean. In the confusion in the islands to find salvation. This wind of sway of the United States has a solemn and beautiful, this beauty into reality and fiction, reflecting the audience's heart, waves the ripples. arouse people's feelings and sympathy. this alone, Remembrance, hope and despair woven out of a magnificent beauty of the flowers. even say the film is the tragedy of this doomed to despair as the United States to appreciate. Sartre in his is a lonely experience, existence is absurd. : wall and the wall. wall of the world may be exciting, but in the end is the on redemption, but returned to a mental hospital is still waiting for him can not get rid of the nightmare. desperation as he put the final free end, it was all over that is for their salvation.
he is toward the end of the target mm , towards the end of the dark flash.
with fantasy, condensate astringent and cruel to subvert the United States, has created another unique beauty, which is the structure of his films United States. performance of the real and the U.S. Magic formula: the magic beauty + subversion = real beauty, and the real and the fantasy elements of these two polar opposites-based structure to build their videos.
we find the real beauty is the ultimate fantasy moment solidified the eternal, like an extreme beauty. those who have past was young, like shining like fireworks bloom in every person who was young and heart. shuttle, docked in the heart eventually became the simple, timeless finish, here is graceful and timeless short.
within the beauty of this nothingness is a kind of unique psychological experience. in mood state, the one I got out of a sense of complete freedom of control. The Japanese religious thinkers Daisetsu wood Ling said: an important part. deeply impressed, but more important is to arouse the audience their feelings, such feelings are deep, underlying, very subtle, so that people may not normally found or had forgotten. Directed by Japan's traditional evoke the subtle and delicate these feelings, so even a slight heart beat will also have considerable shock. often cause people to remember the moments of the past and the status of their thinking, Iwai's films make us stop and too hasty steps, quietly thinking their own existence, and found some overlooked something very valuable in itself.
sum up, rock wells will be personalized color, shooting techniques and post-modern fusion of traditional Japanese aesthetics to create its unique beauty experience. He is the process the United States: Constructing Deconstruction mm mm Restructuring. the audience stood a spectator point of view, not because the plot and sad movie, but by the film actor's emotions drive their emotions and experiences. This is more real, more subtle emotional experience. the United States in the final analysis is still subordinate to the mind, it evokes all and had the same experience of the people's sympathy, emotional feelings of being the spirit of, rendering a far-reaching long I love the beauty of sources: Taobao credibility of the shop funny Online Photo Site Map Chinese Website Daquan
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